Asian horror has always been more unsettling. It doesn’t shout—it whispers.
Lean, eerie, and moving, Good Boy is proof that horror doesn’t need to bark to bite — sometimes it just...
At this point, watching a new Conjuring film feels less like entertainment and more like attending a mandatory family reunion—everyone’s...
An unrepentantly stupid but gloriously funny revival.
The film marks the third installment in director Jerrold Tarog’s Bayaniverse trilogy, which began with Heneral Luna and continued with Goyo: Ang Batang Heneral
Eerie, fragmented and deliberately unresolved, Weapons is a bona fide original horror film.
Christmas is coming early for Swifties, as the pop icon is releasing not one, but two binge-worthy projects on Disney+ on Dec. 12.
Kogonada’s film is big, bold, and occasionally beautiful—but also twee, self-conscious, and oddly hollow.
Widely acknowledged as “the architect of sartorial restraint,” Giorgio Armani brought refinement to film legends.
The backward flow of the movie forces us to value moments we might otherwise dismiss. And in that, it delivers something rare: not horror, not comfort, but clarity.
If you feel like every book on your nightstand is suddenly becoming a movie or TV show, you’re not imagining things
The film doesn’t make Harry the villain or John the saint. Instead, it shows how modern dating culture often makes us think about love in terms of status, stability, and long-term returns.
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